[four is very endearing - but if she waits outside his home long enough, the door itself will open. lune is not immediately seen, but she’ll feel welcome to come inside if she would so desire -
and the inside seems far more spacious than the out, not to mention an incredible contrast in appearance. the entire area seems to be closer to a museum layout, with white tile floors, and a number of Japanese treasures behind glass, ranging from scrolls to paintings to different types of artisan pottery. small placards list exactly what each item is, detailing its rich history - though it looks as though one display case in the center has been left empty and its placard covered.
in the far corner of the room, there is a screen door - and lune will eventually step out from behind it, his expression warm]
Oh my - I was hoping you would come to see me again, my dear Four.
[ The door opening is invitation enough, and she walks in like the video game character she is.
Anything distinctly Japanese is more foreign to Four than not, but she takes everything in curiously. She may be bitter and angry underneath everything, but she's still has enough mind to look at all this politely.
Her expression is more uncertain than anything else. ]
I didn't know if I wanted to see you again so soon. Even as I was dying, I didn't know if I wanted your words to me to be true.
[ She still remembers getting a sword through the head. ]
But that doesn't change the reality that you're here.
It does not. I apologize, if you are upset that even now I trail after you like a shadow.
[considering the way that they met each other last -
and yet lune remembers the wish that she expressed to him. that he would stay with her, no matter what act she committed. so he makes good on that promise even if perhaps she’s changed her mind on the matter.]
Even so - I am glad to have the chance to speak with you once more.
[ who the fuck knows YOU KNOW even if lune doesn't
Four makes a thoughtful sound. ]
In the end, if there will only be one left, it voids a lot of people's choices. [ The question has been raised, and it's not like they all agreed on one answer. ] There's no guarantee what that last person will do.
Who do you think is fitting for that spot?
I LOST THE NOTIF BUT I LOVE JIJI AND FOUR DON'T LOOK AT ME
Hmm... In truth - I am rather fond of most who are remaining. There are some who I might trust more than others, but regardless I have reason to believe that each of you will be taken care of... which is the most pressing to me.
Do you have a preference on who you would like to see at the end?
[ It's a rhetorical question, but she doesn't think he dislikes anyone. If he can be like, I'll stay by your side even after you murder four people, who would he dislike?
Does he want an honest answer from her? Her true preference is no one, but of those of the living left... ]
Emma, maybe, even if she likely doesn't want anything to do with me anymore.
... even if I am not fond of them, that does not stop me from wishing to understand their story.
[so there's an answer. to be honest, he really does like most people - he finds them amusing, even if he doesn't particularly understand them or wish for their constant company. he has preferences like anyone, but he's also too old to worry himself over things like grudges.
but at her answer, he smiles]
Ah... Would you wish to repair your relationship with her, if you could?
no subject
and the inside seems far more spacious than the out, not to mention an incredible contrast in appearance. the entire area seems to be closer to a museum layout, with white tile floors, and a number of Japanese treasures behind glass, ranging from scrolls to paintings to different types of artisan pottery. small placards list exactly what each item is, detailing its rich history - though it looks as though one display case in the center has been left empty and its placard covered.
in the far corner of the room, there is a screen door - and lune will eventually step out from behind it, his expression warm]
Oh my - I was hoping you would come to see me again, my dear Four.
no subject
Anything distinctly Japanese is more foreign to Four than not, but she takes everything in curiously. She may be bitter and angry underneath everything, but she's still has enough mind to look at all this politely.
Her expression is more uncertain than anything else. ]
I didn't know if I wanted to see you again so soon. Even as I was dying, I didn't know if I wanted your words to me to be true.
[ She still remembers getting a sword through the head. ]
But that doesn't change the reality that you're here.
no subject
[considering the way that they met each other last -
and yet lune remembers the wish that she expressed to him. that he would stay with her, no matter what act she committed. so he makes good on that promise even if perhaps she’s changed her mind on the matter.]
Even so - I am glad to have the chance to speak with you once more.
Selfish as it may be for me to say.
no subject
No... I... perhaps I have more reason to believe you now.
[ As much as she hates to consider it. As much as she tells herself not believe him. As much as she wants to believe him. ]
... If you become susceptible to death, will you and Sol be considered as part of count that remains living?
no subject
[he would rather look his demise head on rather than run from it, or be in any kind of denial until it approaches]
Though I suppose that all beings must come to break one day.
Perhaps my day is simply approaching.
no subject
[ That's an interesting way of phrasing dying. ]
You wouldn't want to be the last one standing?
no subject
If it puts others at risk of voiding their choices... I would rather not take such a chance.
[can a sign even be the last man standing who the fuck knows]
no subject
Four makes a thoughtful sound. ]
In the end, if there will only be one left, it voids a lot of people's choices. [ The question has been raised, and it's not like they all agreed on one answer. ] There's no guarantee what that last person will do.
Who do you think is fitting for that spot?
I LOST THE NOTIF BUT I LOVE JIJI AND FOUR DON'T LOOK AT ME
Do you have a preference on who you would like to see at the end?
LOOKS STRAIGHT AT YOU
[ It's a rhetorical question, but she doesn't think he dislikes anyone. If he can be like, I'll stay by your side even after you murder four people, who would he dislike?
Does he want an honest answer from her? Her true preference is no one, but of those of the living left... ]
Emma, maybe, even if she likely doesn't want anything to do with me anymore.
STOP
[so there's an answer. to be honest, he really does like most people - he finds them amusing, even if he doesn't particularly understand them or wish for their constant company. he has preferences like anyone, but he's also too old to worry himself over things like grudges.
but at her answer, he smiles]
Ah... Would you wish to repair your relationship with her, if you could?
no subject
[ She is absolutely mimicking his trademark laugh. It's more to distract from answering than anything else. Does she want to repair her relationships?
Yes and no. It's as two-sided an answer as she is two-faced. ]
If I could wish to repair one relationship, it would not be with someone here.